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Jay Boy Adams & Zenobia
August 27thBig Bad Voodoo Daddy
August 27thSt. Paul & the Broken Bones
August 28thZootopia 2
August 29thCANCELLED--Neal Francis
September 1stNuestra Musica
September 3rdOzo for Zozo
September 4thDwight Yoakam
September 4thDominique Fils-Aimé
September 5thThievery Corporation
September 7thBlossoms & Bones
September 10thSleep
September 10thMeltt
September 13thBig Thief - SOLD OUT
September 16thEast Nash Grass
September 17thDavid Berkeley
September 18thNew Mexico Jazz Festival: esperanza spalding
September 18thMavis Staples & Nathaniel Rateliff - SOLD OUT
September 19thDaniel Donato's Cosmic Country
September 19thNew Mexico Jazz Festival: René Marie & Experiment in Truth
September 19thTajMo - SOLD OUT
September 20thNew Mexico Jazz Festival: Chucho Valdes Royal Quartet
September 20thEthan Regan
September 21stMountain Grass Unit
September 22ndRobert Plant - SOLD OUT
September 23rdThe Midnight
September 24thPixies - SOLD OUT
September 25thThe California Honeydrops
September 25thToadies
September 26thIrene Diaz
September 26thJoshua Ray Walker
September 26thJMSN
September 26thIrene Diaz
September 27thMidland
September 27thThe Magic School Bus
September 28thThe Animeros
September 30thSammy Rae & the Friends
October 1stPatton Oswalt
October 2ndThe Sponges + N2N
October 2ndTribal Seeds
October 3rdAn Evening with Hampton Sides
October 3rdHermanos Gutiérrez
October 5thDamien Jurado
October 5thBri Bagwell
October 6thBella White
October 6thRoute 66: The Main Street of America
October 7thCANCELLED - Josh Conway of The Marías
October 7thJeremy Dutcher
October 8thEl Ten Eleven
October 9thSnarky Puppy
October 9thMama's Broke
October 9thMolly Tuttle
October 10thThe ReMemberers present "The Firebird"
October 10thRaynes and David Wimbish & The Collection
October 10thLP
October 11thPunch Brothers
October 11thMason Jennings
October 11thWild Pink
October 13thDevon Gilfillian
October 14thAkram Khan Company
October 14th49 Winchester
October 15thTyler Ballgame
October 18thKishi Bashi
October 20thLos Vega Son Jarocho
October 21stSilkroad Up Close
October 22ndLos Vega Son Jaracho
October 22ndsunn O)))
October 23rdAx and the Hatchetmen
October 23rdThee Sinseers
October 24thKatie Pruitt
October 24thJulian Lage Quartet
October 26thClay Street Unit
October 30thRyan Bingham and the Texas Gentlemen
November 3rdJay Webb
November 4thThe Surge: an ode to Sinéad O'Connor's
November 4thUB40
November 4thTodd Rundgren
November 6thChristian Löffler
November 6thRodrigo y Gabriela
November 7thLiana Flores
November 7thTommy Castro & The Painkillers + GA-20
November 8thGilla Band
November 8thLyle Lovett - SOLD OUT
November 9thPuma Blue
November 9thLyle Lovett - SOLD OUT
November 10thTwo Runner
November 10thBayonne
November 10thJohn Craigie
November 11thBuena Vista Orchestra
November 11thBahamas
November 11thPhilip Glass Ensemble: Powaqqatsi
November 12thJohn Craigie
November 12thSlothrust
November 13thDave Hause and The Mermaid
November 13thLil Fish + Govinda
November 14thDerek Hough
November 16thBuzzcocks
November 18thBluey's Big Play
November 19thNick Shoulders
November 19thMireya Ramos and The Poor Choices
November 20thDweezil Zappa
November 24thCat Clyde & Dean Johnson
November 24thLumasi
November 28thBonnie Prince Billy - SOLD OUT
December 2ndBonnie Prince Billy - SOLD OUT
December 3rdBonnie Prince Billy
December 4thAoife O'Donovan and Chris Thile
December 7thPostmodern Jukebox
December 9thThe Wooten Brothers
December 16thJudy Collins
December 22ndJoe Illick and The New Year's Eve Orchestra
December 31stBallet Hispánico New York
January 24thThird Coast Percussion: Ripples in the Water
January 27thAudra McDonald
January 29thPeking Acrobats
February 3rdDelfeayo Marsalis & The Uptown Jazz Orchestra
February 9thMalpaso Dance Company
February 18thInternational Guitar Night
February 24thJazz at Lincoln Center Orchestra
March 1stPalaver Strings
March 4thThe Boy Who Cried Wolf
March 7thThe Hot Sardines
March 12thLang Lang
April 1stAga Khan Master Musicians
April 4thBranford Marsalis and Dianne Reeves
April 7thYAMATO--The Drummers of Japan
April 21stChanticleer
April 30thThe Wailin' Jennys
June 1stThe Wailin' Jennys
June 2ndThe Strumbellas
w/ Sam Burchfield
at
Meow Wolf
Add to Cal
TICKETS
$30–$35 plus fees
MEMBER PRE-SALE: Wed, Aug 20, 10 am. Want pre-sale access? Become a Lensic member!
PUBLIC SALE: Fri, Aug 22, 10 am
For online ticketing sales & support, contact Meow Wolf: 1-866-636-9969 or online here.
VIP INFO
THE STRUMBELLAS SUPER VIP TOUR BUS EXPERIENCE: $229 plus fees
- One VIP Tour Bus general admission ticket to see The Strumbellas Live
- Early entry into the venue
- Access to an intimate pre-show hang with the band on their tour bus
- Pre-show acoustic set by The Strumbellas (playing songs not part of their set)
- Q&A session with The Strumbellas
- Group photograph in front of the stage with The Strumbellas
- Limited edition tour poster; autographed by The Strumbellas
- Commemorative VIP laminate & lanyard
- Priority nerchandise shopping before general doors
- Very limited availability
THE STRUMBELLAS VIP ACOUSTIC EXPERIENCE: $95 plus fees
- One VIP acoustic general admission ticket to see The Strumbellas Live
- Early entry into the venue
- Pre-show acoustic set by The Strumbellas (playing songs not part of their set)
- Q&A session with The Strumbellas
- Group photograph in front of the stage with The Strumbellas
- Limited edition tour poster; autographed by The Strumbellas
- Commemorative VIP laminate & lanyard
- Priority nerchandise shopping before general doors
- Very limited availability
VENUE: MEOW WOLF
SEATING: Standing room only
ADA: Yes, please speak to a Meow Wolf team member
PARKING: Yes, at the venue
ALCOHOL: Yes
OUTSIDE FOOD/DRINK: No
PROHIBITED ITEMS: Meow Wolf recommends leaving the following items in your car or securing them in a locker. Please review their Prohibited Items list for further questions.
-Backpacks & oversized bags
-Laptops or Tablets
-Oversized coats
-Umbrellas
-Luggage
-Strollers
-Skateboards
Please be advised that by entering this event, you are agreeing to being filmed and/or photographed, and the resulting assets may be used for Lensic marketing or promotional purposes. Should you wish not to be photographed or recorded on video, please notify a staff member or one of the event photographers/videographers.
THE STRUMBELLAS
The Strumbellas know that misery loves company, and that if we’re together, even in dark times, there’s some joy in that. Their songs of suffering and celebration date back to their 2012 debut My Father And The Hunter, and the band have obsessively chased big hooks, group vocal exuberance, and folk-rock propulsion through their 2016 breakthrough Hope to 2024’s Part Time Believer. The Juno and iHeartRadio Music Award-winning group’s new song Hard Lines gives listeners an urgent, new take on their iconic mix of intimate feelings with stadium folk sounds.
Determined to use every tool in their arsenal to write a good song, The Strumbellas started by looking inward: random song titles, non-sequitur ideas, scraps of paper, and voice memos of half-sung melodies came from everyone in the band. They then connected with their favourite collaborators, songwriters and producers anywhere from their home in Toronto to Vancouver, Nashville, or LA, to create demos that ranged from campfire-chord whispers to radio-ready productions. The long list was then whittled down by the band along with producer Chad Copelin (LANY, Sasha Sloan, Colony House), who recorded the band at his studio in Norman, Oklahoma. Copelin’s finely honed sonic instincts bring out a newly textured, insistently edgy side to The Strumbellas’ alt-folk stomp.
“We’re living in a lonely world,” says keyboardist Dave Ritter. “Whether it’s work or our home life or our screens, life seems cut up into smaller and smaller pieces all disconnected from each other. Hard Lines is about picking your way through the rubble of contemporary life and the hope that we can build things together again. It’s something we’re reminded of when we gather to write or rehearse songs, and when we get to play for people, that music brings us together, gives us some moments of connection that are hard to find these days.”
SAM BURCHFIELD
The title of Sam Burchfield’s latest album, Nature Speaks, is both a statement of belief and an instruction: to listen carefully, to feel the world move through you, and to heed its loving nudge.
Recorded in just five days at Studio 1093 in Athens, Georgia with co-producers and collaborators Ryan Plumley and Jason Kingsland (Delta Spirit, Youth Lagoon, Deerhunter), the upcoming album is Burchfield’s most stripped-down and spirit-forward to date.
“Just before we recorded, I was in New York City on tour,” Burchfield shares. “My wife was at home, pregnant with our second child. I was taking a walk through Washington Square Park, feeling this hyper-vivid awareness of the beauty of the city, and at the same time, this intense pain of being away from my family.” In that moment, a man sitting at a public space piano began playing the song Burchfield’s partner walked down the aisle to at their wedding. Coincidence or cosmic wink, it stirred Burchfield’s soul. “It felt like walking through a portal.”
For Burchfield, like many of us, it took a moment of poignant distance to illuminate his place of utmost belonging—back in the Blue Ridge Mountains, among his family. And with that radical clarity came a revitalized artistic confidence, a turning point in accepting and trusting his own musical intuition, the intuition from which Nature Speaks beautifully emerges.
Burchfield grew up in serene Seneca, South Carolina. His instinct to write was there from the start, his itch to share was unrelenting. He spent his childhood setting speakers up in parking lots and coffee shops, playing with whomever would join him on “stage” to whomever would listen. At college in Athens, Georgia, he found the scene he’d been trying to create for himself. Opportunities emerged in rapid succession. Burchfield won a songwriting competition, recorded his first EP, and found himself suddenly entangled in sparkly offerings from network television and major labels, chances that ultimately felt more like a detour than a dream come true.
“It was honestly insane,” says Burchfield. “Things felt a little out of my control. I had to really lean on people I respected, whose wisdom I trusted—teachers, friends, family.” Burchfield recognized early on the indispensability of creative autonomy, and the sources of support that kept him grounded. “My community gave me the courage to walk away from paths that didn’t feel right.”
He’s been building a catalog since 2014—originals, concept works, and live recordings. “I think there are like, four or five albums out there at this point?” Burchfield questions, endearingly unprecious. He is as sincere and unassuming as his guitar-playing—earthy and affectingly to-the-point. “Truthfully, it’s been a long journey toward artistic identity. I’ve learned a lot about living into yourself, discovering who you are by simply being.” Nature Speaks is no doubt Burchfield’s best offering to date, largely due to that resonant sense of self.
The album came together during a momentous new phase of fatherhood. “There is always something to sacrifice in the present in order to create a future,” Burchfield says. “And in many ways, I used music to parent myself through all the changes.” Burchfield impulsively penned and tracked the stunning album closer “Morning Light” at home, around three o’clock in the morning. The song softly buzzes with the white noise of a sleeping household, a lullaby of its own kind. “I was writing a message of comfort to myself when I needed it,” he says. His vocals are hushed and heavy with the weight of profound transformation, a soothing surrender to the life that lay ahead.
The theme of commitment glitters throughout Nature Speaks. Standout single “Stay (Betty Blue)” is a tender and arresting tune of devotion, a vow of stability against wavering mental health and the general fragility of life. Burchfield wrote it for his wife—a musician, painter and poet—on their anniversary. “You don’t know what you’re going to have to confront when you enter a relationship. We all have different battles to fight.” In his sandy, evocative vocals, he makes the colorful promises that account for real love: And if you get lost on the other side, I’ll plant roses in your mind / If you go mad and hurt yourself, I can lick your wounds until you're well.
Burchfield’s sixth release is a source of sacred calm in an overwhelming world, a generous invitation into a rooted life: a family’s unconditional love, a hometown’s soothing mountainscape, a sturdy salvation in knowing who you are. “Capturing and connecting with humanity is why I make music,” says Burchfield. “This album is more human than anything I’ve done before.”





