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The Klezmatics: Happy Joyous Hanukkah
December 17thDemetri Martin
December 18thSquirrel Nut Zippers Christmas Caravan
December 19thSunSquabi
December 21stShaun Cassidy
January 6thMadison Cunningham
January 16thJason Leech
January 16thGoldford
January 20thTank and the Bangas
January 23rdJosh Teed
January 23rdAndy Frasco & The U.N.
January 25thWelcome To Night Vale: Murder Night in Blood Forest
January 26thBlade Runner: Live
January 27thWilliam Elliott Whitmore
January 27thBilly F Gibbons
January 28thDon Broco
January 28thHayes Carll
January 29thJoan Osborne & KT Tunstall
January 31stVincent Neil Emerson
January 31stMatteo Mancuso
February 3rdStorm Large
February 5thSheng Wang
February 7thPatty Griffin
February 11thCyril Neville
February 11thPatty Griffin
February 13thAJ Lee & Blue Summit
February 14thKathleen Edwards
February 14thSons of Legion
February 14thAJ Lee & Blue Summit
February 15thColter Wall
February 15thLadysmith Black Mambazo
February 16thLadysmith Black Mambazo - SOLD OUT
February 17thNick Offerman: Big Woodchuck - SOLD OUT
February 17thLadysmith Black Mambazo
February 18thWarren Haynes Solo
February 20thDavid Ramirez
February 20thKitchen Dwellers
February 24thbbno$
February 25thTig Notaro - SOLD OUT
February 27thMagic City Hippies
March 1stThe Strumbellas
March 2ndColony House
March 3rdJonah Kagen
March 4thThe Assad Brothers
March 6thPreservation Hall Jazz Band
March 7thOn A Winter's Night
March 11thNeko Case
March 12thThe Bad Plus
March 13thSoDown
March 13thRobert Plant with Saving Grace and Suzi Dian
March 14thJeff Tweedy - SOLD OUT
March 14thEsther Rose
March 14thLunasa
March 15thNick Hexum with Water Tower
March 22ndPink Martini
March 23rdPink Martini
March 24thOttmar Liebert & Luna Negra
March 27thCharlie Parr
March 28thThe Wood Brothers
March 31stMindchatter
March 31stBig Richard
April 3rdSarah Kinsley
April 3rdBig Richard
April 4th54 ULTRA
April 4thChristian McBride & Edgar Meyer
April 7thSierra Hull
April 8thAl Di Meola
April 9thKathy Griffin
April 9thTINZO + JOJO
April 10thSupertask
April 11thUkulele Orchestra of Great Britain
April 28thThe Wallflowers
April 28thJaneane Garofalo
April 29thRodrigo y Gabriela
May 6thMac DeMarco - SOLD OUT
May 21stJoe Jackson + Band
June 5thNick Hexum with Water Tower
at
Meow Wolf
Add to Cal
TICKETS
$35 + fees
DAY OF SHOW: $40 + fees
MEMBER + ARTIST PRE-SALE: Wed, Dec 10, 10 am
PUBLIC SALE: Fri, Dec 12, 10 am
For online ticketing sales & support, contact Meow Wolf: 1-866-636-9969 or online here.
VENUE: MEOW WOLF
SEATING: Standing room only
ADA: Please email help@meowwolf.com in advance for ADA accommdations.
PARKING: Yes, at the venue
ALCOHOL: Yes
OUTSIDE FOOD/DRINK: No
PROHIBITED ITEMS: Meow Wolf recommends leaving the following items in your car or securing them in a locker. Please review their Prohibited Items list for further questions.
-Backpacks & oversized bags
-Laptops or Tablets
-Oversized coats
-Umbrellas
-Luggage
-Strollers
-Skateboards
-Professional recording equipment
Please be advised that by entering this event, you are agreeing to being filmed and/or photographed, and the resulting assets may be used for Lensic marketing or promotional purposes. Should you wish not to be photographed or recorded on video, please notify a staff member or one of the event photographers/videographers.
NICK HEXUM
“Zoom in and obsess. Zoom out and observe. We get to choose.” Rick Rubin, The Creative Act
You probably already know Nick Hexum, the crooner-voiced, laid-back California guy who has long been the lead singer, songwriter, and rhythm guitarist in 311. But do you? His three EP trilogy, Waxing Nostalgic, Full Memories, and Waning Time (yes, they are named in honor of the phases of the moon), features a Midwestern man from Nebraska who plays mandolin and pedal steel, and has many memories from the past he’d like to share.
“I'm a person who pretends like stuff doesn't bother me. So, I knew going into writing this record that it would be cathartic for me,” Hexum says. “I think Covid made me realize just how limited our time really is - it motivated me to create as much as possible," Hexum said with a laugh. "Is it too late for a midlife crisis?"
There is something about reaching not an age, but a stage of life, that forces everyone to slow down and inspires us to look around at what we’ve accomplished, who we’ve become, and what we’re leaving behind. For Hexum, that meant turning to a different style of songwriting. The songs on these EPs are influenced by his foray into Americana, both in instrumentation and songwriting. Reading Saved by a Song by Mary Gauthier and The Creative Act by Rick Rubin pushed him to explore writing far more personal songs inspired by his life.
Listening to Americana artists like Sierra Ferrell, Faye Webster, k.d. lang, Patsy Cline, and Madeleine Peyroux was part of Hexum’s path to making these EPs. The idea to release his first solo albums came after starting SKP, a tech company that allows artists to release albums outside the major label system and retain the rights to their work. Realizing that system, and the distribution it offered, were at his fingertips, was all he needed to release these songs after giving himself permission to become more vulnerable in his songwriting. “I don’t have to wait for other people to say when I can release music,” he says.
“Please Explain,” a standout on Full Memories, was co-written with Ben Kweller and is about asking one of his daughters to open up during a dark time — a plea for vulnerability. “Ben and I had this deep connection with what it's like to be a dad and have worries,” he says.
“Careless,” which Hexum has made a music video for, was an exercise in owning up to the careless behavior we all exhibit in our relationships when we take them for granted. The music is a super-fast fingerpicker on banjo, with flourishes of acoustic guitar, fiddle and mandolin, and is the closest he’s come to old-school country music in the tradition of Roy Clark and Chris Thile.
From Waxing Nostalgic, the slow dance opener that saw Hexum making his debut as a mandolin player, is “Cosmic Connection.” It’s a little more akin to a waltz, with a very ‘60s message about tapping into the universal and letting go of a tribal mentality of 'us versus them.’ “We're so much more connected and there is more harmony than feels apparent right now,” he says. “I choose to reflect on that, even if we feel more out of sync as a species than we have at other times.”
For “1978,” Hexum collaborated with his sister, Angie, a poet, on a song that serves as a visual story of growing up together. While some of the songs are written solely by him, collaborative songwriting is a theme across the EPs. “To me, it's about the humility of knowing that I've got a lot to learn from other people,” he explains.
Making a list of traumatic moments that Hexum felt he needed to explore in songs led to writing “I’m Open” on Waning Time about the time before his brother Patrick passed away following an overdose. “It’s about making these overtures to help him, but knowing I can’t force him to change his life — but I am open to help, if he is receptive,” he says. Hexum, who is sober, discusses painful moments in the song, like offering to discuss sobriety with his sibling, giving him a guitar that he pawned, and accepting that all anyone can do is offer help.
The EPs also contain a pair of covers, Chapppell Roan’s “California” on Full Memories and Billie Holiday’s “Solitude” on Waning Time. Both tap into his crooner-style voice, with Roan’s song speaking to a near-universal experience of Midwesterners who move to the coast, East or West, in search of a bigger life. It’s a crisis of confidence explored through the delivery of someone who has lived a whole life in California, and reckoned with the decisions made throughout that life. The Holiday cover, a song composed by Duke Ellington, in which Hexum sings along to a steel guitar. It is his love letter to a singer who is one of his icons. The selection, changes, and arrangements on both reflect the wide variety of his influences.
Waxing Nostalgic and Full Memories are out now. Waning Time will be released in summer 2025.





