TICKETS

$24 + fees
DAY OF SHOW: $29 + fees

This is a seated show.

PUBLIC SALE: Fri, Mar 20, 10 am

For online ticketing sales & support, contact [email protected] or call 1-877-466-3404.
For in-person sales, visit the Lensic box office. 

VENUE: OLD SAN YSIDRO CHURCH

SEATING: This is a seated show, seats are first-come, first-served.

ADA: Yes, please notify a representative upon arrival. There are 3-4 handicapped parking spots and ADA patrons can enter through the side door for easy access. 

PARKING: Yes, if the parking lot is full, patrons can park across the street in the museum's parking lot. 

ALCOHOL: No

OUTSIDE FOOD/DRINK: No

Please be advised that by entering this event, you are agreeing to being filmed and/or photographed, and the resulting assets may be used for Lensic marketing or promotional purposes. Should you wish not to be photographed or recorded on video, please notify a staff member or one of the event photographers/videographers.

SIR RICHARD BISHOP

Richard Bishop, guitarist and founding member of the band Sun City Girls (1981-2007), released his first solo record (Salvador Kali) in 1998 on John Fahey’s esteemed Revenant label under the moniker Sir Richard Bishop. Since then he has released albums on a variety of labels: Polytheistic Fragments, The Freak of Araby, Tangier Sessions, and Oneiric Formulary (Drag City); Improvika, Elektronika Demonika, and While My Guitar Violently Bleeds (Locust Music); Fingering the Devil (Southern Records, UK); Hypostasis: A Work in Three Parts (VDSQ); Intermezzo (Editions Mego); The Unrock Tapes and Road to Siam (Unrock), and many others.

“Sir Richard Bishop forces one to alter that hoary cliche to ‘jack of all trades, master of…damn near all.’ Renowned for his mercurial guitar-playing for 26 years with Seattle ethno-delic legends Sun City Girls, Bishop has wrought a distinguished solo canon as well. He combines soulfulness and advanced technique with a panache that’s nearly unrivaled among today’s guitarists. Bishop strums spiritual with incantatory ragas, free-folk excursions, crystalline flamenco flourishes, ruddy Appalachian folk, Middle Eastern-tinged fantasias and gypsy arabesques. This is eclecticism done with respect and third-eye-dilating filigree; his compositions attain a sepia-toned wistfulness and a psychedelic complexity.” - Dave Segal (OC Weekly)