Events
Pokey Lafarge
w/ Foggy Memory Boys
Add to Cal
Special thanks to our presenting sponsors: Lensic 360, Taos Mesa Brewing, and NM Music Commission.
We are endlessly grateful to all sponsors who make these events possible!
VENUE INFO: The Mothership Stage at Taos Mesa Brewing
Alcohol: Yes
Seating: Limited
Outside Food/Drink: No
Parking: Yes
ADA: Ask for accommodations
ABOUT THE ARTIST:
POKEY LAFARGE
Pokey LaFarge was ready to move forward. In March 2020, the veteran singer-songwriter packed up and left his Los Angeles abode behind, putting his belongings in storage in anticipation of spending extensive time on the road in support of his then-forthcoming album, Rock Bottom Rhapsody. He couldn’t wait to head down to Austin a few weeks later to showcase those songs and launch the album with his band at South by Southwest. Then the pandemic hit, and all of LaFarge’s well-laid plans evaporated. Stuck in East Austin with nowhere to go, LaFarge did what he does best: he got to work.
Throughout his career, which includes nine albums and a stint on Jack White’s Third Man Records, the singer-songwriter has never been one to look back in anger or disappointment. LaFarge used the sudden change in plans to his advantage, experiencing perhaps his greatest period of personal growth in the midst of the pandemic. It came as no surprise that the songs instantly started to flow out of him. LaFarge is an artist who refuses to rest on his laurels or compromise. He’s always motivated and ready to create, and when he’s at peace in isolation, the results can be magical.
Inspired by deep soul not just from these shores, but from distant places like Africa and South America, LaFarge set out to create a body of work that paired emotional lyrics with a killer groove and catchy melodies. Written by LaFarge and co-produced with Chris Seefried, the album is one of LaFarge’s strongest and most mature lyrical efforts to date. The album’s title, In the Blossom of Their Shade, is taken from a lyric in the stunning, yet dusty “Mi Ideal.” That song sonically draws influences from the Southwest, South America, and the Caribbean. The distant warmth of the music, especially rhythmically, coincides adeptly with the longing expressed in the lyrics. Unlike its melancholy predecessor, In the Blossom of Their Shade showcases the positivity of coming out of the darkness and into the light.
The record was nearly titled Siesta Love since it captures the thematic notion of being the perfect summer afternoon soundtrack—the type of music you want to listen to while having a cocktail with your significant other. It makes sense musically as well; LaFarge intentionally crafted songs that create space and have melodies that can glide throughout a composition that’s a far cry from the swing and blues-infused songs of his earlier work. LaFarge’s rigorous work ethic powered him through this potentially challenging creative period. As days turned into months, songs blossomed from embryonic ideas into fully-formed ones, and he was ready to move on, which typifies his mindset as a working artist.
After he left Austin, he headed up north to Chicago for two-and-a-half months to record In the Blossom of Their Shade. At home in the city two hours north of where he grew up and became a die-hard Chicago Cubs fan, LaFarge rigorously and meticulously recorded the songs (half of which he wrote with his best friend Nick Africano over FaceTime) in the Windy City. Thematically, LaFarge, in a way only he can, tackles a wide gamut of emotions. On “Rotterdam,” it’s easy to hear how the dreamy song encapsulates a notion of a Shangri-La even in the most unusual places. Look no further than the album closer, the twangy “Goodnight, Goodbye (Hope Not Forever).” The song neatly ties the past year along with a universal longing that brighter days are on the horizon, even if it doesn’t seem so right now.
Pokey LaFarge never wanted to be an artist that had one gigantic record and was then lost to the annals of history. As for now? He’s back to where the whole odyssey began over a year ago: Los Angeles. Even with In the Blossom of Their Shade on the horizon, LaFarge hasn’t put down his pen. You can’t keep a great songwriter idle.
FOGGY MEMORY BOYS
With a fresh, rip-snortin’ approach to melodically driven songs, a playful energy, smooth singing harmonies, and an infectious stage presence, the Boys have been pushing their way to the forefront of the New Mexico music scene.
Formed around late-night jams at the prestigious Walnut Valley Bluegrass Festival, they blur the lines between traditional bluegrass roots music and more contemporary styles.
Tucked in the mountains of northern New Mexico, the Foggy Memory Boys combine the unique skills of New Mexico state mandolin champion and master luthier Jacob Hagerty on mandolin, Andy Yeomans on acoustic guitar and vocals, The Undertaker Uncle Willie Hunton on dobro, singer-songwriter extraordinaire Zephaniah Stringfield on Gretsch guitar and vocals, and Matt Mallwitz on bass fiddle.
While all five are talented in their own right, FMB is definitely a case of the whole being greater than the sum of its parts, quickly becoming one of the most exciting acoustic acts in the Southwest today.
They have shared the stage with acts such as Tim O’Brien, Chris Robinson Brotherhood, Molly Tuttle and Golden Highway, the Infamous Stringdusters, the Lil’ Smokies, the Young Dubliners, Liver Down the River, the Jon Stickley Trio, and the Kyle Tuttle Band, bringing that festival vibe to every venue they appear in.
