

Search
La Doña
July 10thDigable Planets w/ The Soul Rebels
July 10thVieux Farka Touré
July 11thVieux Farka Touré
July 12thVandoliers
July 12thM. Ward & The Undertakers
July 12thThe Meditations
July 13thThe Fabulous Thunderbirds
July 14thLow Cut Connie
July 15thMountain Grass Unit
July 15thPhosphorescent
July 16thLumbre Del Sol
July 17thThe Psychedelic Furs - SOLD OUT
July 17thMereba - CANCELED
July 17thBully
July 18thImprovement Movement
July 18thSonia De Los Santos
July 19thThe Wild Robot
July 19thSurprise Chef
July 19thReverend Peyton's Big Damn Band
July 21stFather John Misty - SOLD OUT
July 21stJulian Marley
July 22ndThe Family Stone
July 25thDavid Berkeley
July 26thGyedu-Blay Ambolley
July 26thBuena Vista Orchestra
July 27thTanner Usrey
July 27thBoris McCutcheon and The Salt Licks
July 28thKT Tunstall
July 29thDogs in a Pile
July 31stSanta Fe Salutes: Ladies of the 80's
August 1stGirls Inc. Stronger Together Fest
August 2ndInside Out 2
August 2ndRebirth Brass Band
August 3rdFelix Y Los Gatos
August 4thWaxahatchee
August 4thAl Hurricane Jr.
August 5thMarty Stuart & His Fabulous Superlatives
August 6thThee Sinseers & The Altons
August 7thYelawolf
August 7thBig Daddy Kane With His Live Band
August 8thJunior Toots
August 9thChuck Prophet and His Cumbia Shoes
August 10thRosali
August 10thChuck Prophet and His Cumbia Shoes
August 11thLevi Platero
August 12thMacy Gray
August 12thIndigenousWays Festival: Robert Mirabal
August 15thHot Buttered Rum
August 16thA Complete Unknown
August 16thABBAquerque
August 18thThe English Beat
August 19thCuarenta y Cinco
August 21stNew Breed Brass Band w/ Trombone Shorty
August 22ndA Hawk and A Hacksaw
August 23rdModest Mouse
August 23rdTennis
August 24thThe Dead South
August 24thDetroit Lightning
August 25thPokey LaFarge
August 26thKeb' Mo' and Shawn Colvin - SOLD OUT
August 27thThe Blue Ventures
August 28thScott Bradlee's Postmodern Jukebox
August 28thSam Barber
August 28thJon Batiste Plays America - SOLD OUT
August 31stJon Batiste Plays America
September 1stThe Fixx
September 5thThe Mavericks - SOLD OUT
September 6thA Prairie Home Companion's 50th Anniversary
September 7thTribal Seeds and The Movement
September 9thSamantha Fish
September 10thMelvins
September 10thBlossoms & Bones
September 11thMax McNown
September 11thThe Swell Season
September 15thBirdtalker
September 16thFortunate Youth
September 17thWyatt Flores
September 17thKeller Williams' Grateful Grass
September 19thBad Suns
September 19thPile
September 20thBUNT.
September 23rdCuco
September 23rdJohn Moreland
September 24thNate Sib
September 25thNathaniel Rateliff & The Night Sweats
September 27thThe Dandy Warhols
September 29thLiam St. John
September 29thI'm With Her - SOLD OUT
September 29thThe Waterboys
September 30thLA LOM
September 30thSoftcult
September 30thDominique Fils-Aime
October 1stNoah Reid
October 1stRainbow Kitten Surprise
October 1stBuilt To Spill
October 2ndThe Head and The Heart: Aperture Tour
October 2ndPanda Bear
October 5thWednesday
October 9thThe Julia Keefe Indigenous Big Band
October 9thStrawberry Guy
October 17thLas Cafeteras
October 19thNicotine Dolls
October 21stThe Last Revel x Oliver Hazard
October 22ndBooker T. Jones
October 25thArlie
October 26thBETWEEN FRIENDS
October 26thLas Cafeteras
October 28thJosh Johnson: The Flowers Tour
November 1stJosh Johnson: The Flowers Tour
November 2ndMurder By Death - SOLD OUT
November 2ndOsees - SOLD OUT
November 4thRichy Mitch & The Coal Miners
November 5thWilli Carlisle
November 6thThe Brian Jonestown Massacre - SOLD OUT
November 8thJoshua Radin
November 10thLucius
November 12thDean Johnson
November 12thStanley Clarke
November 13thInfinity Song
November 19thNew Constellations
November 20thWillie Watson
November 21stNeko Case
November 21stDakhaBrakha
December 3rdDakhaBrakha
December 4thThe Klezmatics: Happy Joyous Hanukkah
December 17thSquirrel Nut Zippers Christmas Caravan
December 19thWelcome To Night Vale: Murder Night in Blood Forest
January 26thStorm Large
February 5thThe Assad Brothers
March 6thThe Bad Plus
March 13thLunasa
March 15thPink Martini
March 23rdPink Martini
March 24thChristian McBride & Edgar Meyer
April 7thUkulele Orchestra of Great Britain
April 28thMac DeMarco - SOLD OUT
May 21stBuzzcocks - SOLD OUT
w/ Strawberry Fuzz
Add to Cal
TICKETS
$33–$38
MEMBER PRE-SALE: Thurs, Feb 13, 10 am. Want pre-sale access? Become a Lensic member!
PUBLIC SALE: Fri, Feb 14, 10 am
For online ticketing sales & support, contact support@holdmyticket.com or call 1-877-466-3404.
For in-person sales, visit the Lensic box office.
VENUE: TUMBLEROOT BREWERY & DISTILLERY
SEATING: Limited
ADA: Yes, please notify a Tumbleroot representative upon arrival
PARKING: Yes
ALCOHOL: Yes
OUTSIDE FOOD/DRINK: No
BUZZCOCKS
“Electric charge to blow you in, to the arms of raging sin/
Wanna ride the tempest wind"
Buzzcocks 'Senses Out Of Control'
In a darkening musical landscape where viral fads and AI-generated fakery share chart-space with the self-absorbed products of the nation’s stage schools, Buzzcocks shine out as a gleaming beacon of hope.
A constant, ever-evolving presence over the last 45 years of pop culture, the band’s legendary status will be set in stone — literally — with their inclusion in the Music Walk Of Fame in September, joining an illustrious roll call including David Bowie, The Who, Madness and Amy Winehouse.
The band’s never-better live shows, meanwhile, are electrifying reminders of rock music’s power to inspire, educate and inform. All delivered with an energy and conviction of a band half their age.
“It’s my lifeblood,” says Steve Diggle — 68 years young — of a non-stop touring schedule which over the summer will see them play to thousands of fans across Europe and the UK.
“I’ve still got the fire in my belly. Some musicians get bored of being on the road, but I’m institutionalised. I’ve done 50-odd years of staying in hotels. It’s what I signed up for. Ever since I saw Bob Dylan in the back of a black taxi in (D.A. Pennebaker’s 1967 documentary) Don’t Look Back, I always wanted to live this kind of life — being interviewed in the back of a black taxi on the way to the studio.”
While most of their punk peers are content to traverse the globe in jukebox-style revue shows, Buzzcocks continue to move with the times, attracting new fans wherever they go. A case in point being the huge all-ages crowd the band pulled at the Iggy Pop-headlined Dog Day Afternoon in July.
“There’s not a lot of intellectual or emotional thinking in music these days,” observes Steve. “People are being controlled. They’ll watch a video of someone falling over a banana skin and think they’re being entertained. They don’t realise the beauty of words, and the power of music. I’d like to think young kids who come to see us feel the same excitement I got from Little Richard and Chuck Berry. It goes back to the punk thing. It was about attitude and a way of thinking. We had the questions, but we didn’t have the answers. But the questions are the important thing.”
This desire to challenge both themselves and their audiences was reflected in 2022’s Sonics In The Soul. An eclectic mix of gilt-edged power-pop (‘Venus Eyes’), Big Star-esque bangers (‘Nothingness World’) and Groundhogs-style riffing (‘Experimental Farm’), it was both a critical and commercial success — a reminder that Steve Diggle has always been a master songwriter: a Lennon to Pete Shelley’s McCartney.
The album also caught the ear of rock royalty. ‘Little’ Steven Van Zandt put in a request to remix Who-like epic ‘Manchester Rain’, while Elton John got in touch with Steve to rave about first single ‘Senses Out Of Control’, playing the track on his Apple Radio show.
“Sonics In The Soul was a bridge from the old Buzzcocks to the new,” says Steve.
“At the time, a lot of people said, ‘You can’t carry on without Pete.’ But I’d always written my own songs. Looking back, we were like two mountain climbers. We needed each other. But since then I’ve taken [the band] on and it made it more heroic.”
Buzzcocks have always been about innovation, experimentation and taking risks. In 1977, the band’s self-financed debut ‘Spiral Scratch’ EP gave birth to the independent sector. A primary influence on everyone from Orange Juice to Green Day, the string of timelessly melodic hit singles which followed (including Diggle-penned classics ’Promises’ and ‘Harmony In My Head’ ) brought radical ideas to a Top Of The Pops audience — reflecting influences ranging from Bob Dylan to Harold Pinter; Samuel Beckett to Stockhausen.
“I had a Stockhausen box set,” he says of his listening as a teenager. “I had the box room at home and I’d record my mum doing the hoovering and play it back. I loved the idea of white noise. We always had that discordant, uncomfortable element in Buzzcocks.”
For Steve and his bandmates, punk wasn’t so much a wake-up call as a signal that other people across the country were feeling the same way.
“I didn’t need Joe Strummer or Johnny Rotten to tell me what was going on,” he explains. “Buzzcocks were probably the most philosophical of all the punk bands. I loved The Clash and The Jam, but most of them were just there for the party —writing songs about getting a job. We’d read the existentialists. We were interested in the complexity of life. It was deep thinking wrapped up in a pop song. Rather than being linear, we were using abstract images to create a mood — the same way James Joyce did with Ulysses. That inspired a song like ‘Fast Cars’. At 17 I’d seen my best mate die in a car crash, and it gave me a different perspective. The Joyce thing of only knowing the meaning of life through knowing the meaning of death.”
While punk is widely considered as rock’s Year Zero, the truth is that Buzzcocks were simultaneously tapping into a far older tradition, stretching back via Chuck Berry and Little Richard to the Delta Blues.
“We were white blues,” explains Steve. “My theory now is that instead of the cotton fields, we had the cotton mills, where kids would be sent up chimneys and made to work 18 hours a day. That was our blues — the white trash of Manchester.”
Having toured the world and released three classic albums — Another Music In a Different Kitchen, Love Bites and A Different Kind Of Tension — in quick succession, the band imploded in 1981. A successful reunion of the classic line-up (Pete Shelley — guitar vocals; Steve Diggle — guitar vocals; Steve Garvey — bass; John Maher — drums) in 1989 led to a non-stop touring schedule prior to Shelley’s death in 2018.
However, the band’s next chapter promises to be their most exciting yet.
“I’m halfway through the new record, which is going to be called Attitude Adjustment,” says Steve in conclusion.
“It’s a step on from Sonics In The Soul. It feels like an exciting new era, and a new spirit. I can’t wait to get out there and play these songs to people. It’s not about ego, for me. I'm a working-class kid, who always loved music. I never thought I’d be involved in it. But I’ve got my chance, so I’ll give back as much as I can, because I believe in it as much as I always did. We’re the holiest church in rock ’n’ roll.”
With Steve Diggle as High Priest, Buzzcocks are still the band to believe in.
STRAWBERRY FUZZ
Carrying on a lineage that stretches from The Doors to FIDLAR, indie punk band Strawberry Fuzz document the wildlife in and around their Venice Beach turf. Channeling stories of parties, junkies, sex, violence and camaraderie through a keenly observant lens, they meticulously capture the smell, sound, taste and feel of life on the streets, in the bars, bedrooms and basements of the bleary side of Los Angeles.
Inspired by artists like The Cramps, Black Flag and The Germs as well as Elvis, RL Burnside and Ol’ Dirty Bastard, Strawberry Fuzz’s manic live show was perfectly captured on their debut collection of demos Fuzztapes Vol. 1. Now back with a full-length record releasing this winter, they continue to rip up stages and whip up pits all along the West Coast.