TICKETS

SEATED: $30 + fees
DAY OF SHOW: $35 + fees

PUBLIC SALE: Tues, Aug 11, 10 am

For online ticketing sales & support, contact the Lensic box office: 505-988-1234.
For in-person sales, visit the Lensic box office. 

VENUE: THE MARIGOLD ROOM

SEATING: Seated General Admission

ALCOHOL: Yes

OUTSIDE FOOD/DRINK: No

PARKING: Yes, overflow parking in the gravel lot next door

ADA: Yes, please speak with a TMR representative

Please be advised that by entering this event, you are agreeing to being filmed and/or photographed, and the resulting assets may be used for Lensic marketing or promotional purposes. Should you wish not to be photographed or recorded on video, please notify a staff member or one of the event photographers/videographers.

MASON JENNINGS

"I love song craft," says Mason Jennings, a longtime folksinger who has spent over two decades honing his craft both on stage and in the studio. "A song is like a boat on the water, and you're trying to make it float with as few pieces as possible. If you do it right, a song can be very healing."

For Jennings, songwriting has always been about creating a personal connection, both with his audience and with himself. Over the years, he’s become known for his unpretentious, emotive approach to folk music, combining introspective lyrics with acoustic melodies. He’s drawn comparisons to the greats of the genre, including Nick Drake, John Fahey, and Tom Waits, but Jennings' sound is distinctly his own, one that blends vulnerability with strength, simplicity with complexity.

Born in Honolulu and raised in Pittsburgh, Jennings’ musical journey began with a move to Minneapolis in the late 1990s, where he released his debut album and quickly gained attention for his raw, authentic sound. His contemporary take on classic folk resonated with listeners and fellow musicians alike, earning him fans like Jack Johnson and Isaac Brock of Modest Mouse. Over the years, his steady output of albums has solidified his reputation as one of the leading voices in the folk and Americana scenes.

Though his early work focused on solo acoustic arrangements, Jennings has also embraced more adventurous, genre-crossing projects. His collaboration with the synth-based supergroup Painted Shield marked a departure from his usual style, incorporating electronic elements and a more expansive sound. “Being in that band really freed me up as a solo artist,” he reflects. “It allowed me to experiment and return to the acoustic, stripped-back music that first inspired me.”

At his core, Jennings is an artist constantly evolving, and his music reflects a deep personal journey. Themes of healing, growth, and self-acceptance have been central to his songwriting, especially in recent years. Following a challenging period of personal upheaval, Jennings explored themes of trauma, recovery, and reconciling his past in his 2018 album Songs From When We Met. His music became a way to process his experiences and find peace within himself, a journey that continues today.

For Jennings, songwriting is about much more than just creating music. It is a path toward emotional clarity and personal transformation. "I've learned that it's OK to be my real self," he shares. "These songs reflect the struggle to take care of myself and be the person I truly am. It’s about accepting where I come from, and working to heal old wounds, so I can move forward in a healthier way."

As he continues to write and record, Jennings remains deeply connected to his roots in folk music while embracing new textures and ideas. His work, whether with a band or solo, reflects an ongoing exploration of sound, emotion, and the human experience. For him, the process of creating is just as important as the final result, an ever-evolving conversation between the artist and his audience, and between the artist and himself.