TICKETS

$39–59 

MEMBER PRE-SALE: Wed, Dec 11, 10 am. Want pre-sale access? Become a Lensic member!

PUBLIC SALE: Fri, Dec 13, 10 am

For online ticketing sales & support, contact support@holdmyticket.com or call 1-877-466-3404.
For in-person sales, visit the Lensic box office. 

VENUE THE LENSIC

ALCOHOL: Yes, there are two bars in the inner lobby. Drinks purchased at the bar are allowed inside the house.

SEATING: Yes

OUTSIDE FOOD/DRINK: No

PARKING: Paid parking is available at the Sandoval and Convention Center City garages. You can pre-pay for parking validation in these garages during your checkout.

ADA: Yes, please select ADA seats and notify a box office representative with any accommodations needed prior to the show.

THE BLIND BOYS OF ALABAMA

The Blind Boys of Alabama are recognized worldwide as living legends of gospel music. Celebrated by The National Endowment for the Arts (NEA) and The Recording Academy/GRAMMYs with Lifetime Achievement Awards, inducted into the Gospel Music Hall of Fame, and winners of six GRAMMY® Awards, they have attained the highest levels of achievement in a career that spans over 70 years. The Blind Boys are known for crossing multiple musical boundaries with their remarkable interpretations of everything from traditional gospel favorites to contemporary spiritual material by songwriters such as Eric Clapton, Prince, and Tom Waits. They have appeared on recordings with many artists, including Lou Reed, Peter Gabriel, Bonnie Raitt, Willie Nelson, Aaron Neville, Susan Tedeschi, Ben Harper, Patty Griffin, and Taj Mahal.

Blind Boys of Alabama released 'Echoes Of The South’ on Aug 25, 2023, which finds the Gospel Music Hall of Fame inductees coming home to honor those they've lost on a bold declaration of how far they still plan to go. The eleven-song collection is a portrait of perseverance from a group well-versed in overcoming incredible odds - from singing for pocket change in the Jim Crow South to performing for three different American presidents, soundtracking the Civil Rights movement, and helping define modern gospel music as we know it. Recently, the group's decades-long mission of spreading light and love has taken on even deeper context as they've reckoned with the loss of two of their own, Paul Beasley and Benjamin Moore, both longtime members of the Blind Boys’ tight-knit family. 'Echoes Of The South' is released in their honor - as well as for the group's recently-retired leader, Jimmy Carter - and keeps the Blind Boys' long-held mission statement at its core: “As long as everybody gives all that they have to give and we sing songs that touch the heart, we'll live on forever.”

In 2022, the group had a collaborative recording with Béla Fleck, nominated for a Grammy. The nominated collaboration, "I Wish I Knew How It Would Feel to Be Free," powerfully reimagines the anthem of the Civil Rights Movement, originally made famous by Nina Simone. They also have had collaborative recordings and coinciding tours with both Marc Cohn and afro-pop duo Amadou & Mariam. In 2023, Blind Boys garnered another Grammy nomination for Best Americana Single for 'The Message' featuring Black Violin. 

2024 started off the year with a return to the GRAMMY® Awards with three nominations and one win for Best Roots Gospel Album - 'Echoes Of The South.’ This was followed by a sold-out tour in Australia and a sizzling performance with Sir Tom Jones during the Bluesfest Byron Bay (Australia), where video of their rehearsal reached 750K + views in 48 hours on social platforms. The definitive book, titled Spirit of the Century, was released in March 2024. It’s an insider history of the Blind Boys of Alabama, the longest-running group in American music, and the untold story of their world written with band members and key musical colleagues.

SHEMEKIA COPELAND

Shemekia Copeland possesses one of the most instantly recognizable and deeply soulful roots music voices of our time. The multi-GRAMMY nominee is beloved and honored worldwide for the fearlessness, honesty and humor of her revelatory songs, as well as for her winning, engaging personality. The Chicago Tribune says, “Copeland is the greatest female blues vocalist working today. There’s no mistaking the majesty of her instrument, nor the ferocity of her delivery.”  

On Copeland’s new album, Blame It On Eve, the songs all hit hard, with jaw-dropping performances that instantly take hold and command repeated listening. “There’s serious business on the new album,” Copeland says, “but there are a lot of smiles here too, a lot of joyous moments. It’s my blues for sure but it’s the brighter side. Issues are always important to me, but so is rocking, dancing and just having fun. And that’s something we all can all agree on.”

Blame It On Eve was recorded in Nashville and produced by instrumentalist/songwriter Will Kimbrough (who also produced her previous three albums). It features 12 new songs that tackle subjects as important as a woman’s right to choose and climate change, but also leaves space for Copeland to have fun and unwind. From the autobiographical, rocking blues boogie Tough Mother to the anthemic title track’s good-humored but serious focus on reproductive self-determination to the happy hour of Wine O’Clock, Copeland is inspired throughout. 

Famed multi-instrumentalist Jerry Douglas adds his dobro to the fascinating, true story of Tee Tot  Payne, the obscure early 20th century Alabama musician who taught Hank Williams the blues, and sacred steel player DaShawn Hickman brings his magic to the feisty and uplifting Tell The Devil.  Shemekia’s friend, roots-rocker Alejandro Escovedo, joins in on the anguished, celestial query Is There Anybody Up There?. On the sad lover’s tale Belle Sorciere, Copeland sings the chorus in French, with the haunting melody composed by Pascal Danae of the Paris-based band Delgres (who were recently featured on the cover of Rolling Stone France). Copeland’s blistering, deep blues delivery of Down On Bended Knee—by her late father, the great bluesman Johnny Copeland—sets up the thought-provoking closer Heaven Help Us All, a song originally made famous first by Stevie Wonder and later by Ray Charles. Taken as a whole, the passionate, charismatic, joyous and at times confrontational Blame It On Eve is bound to become among the most celebrated releases of Copeland’s impressive, still-unfolding career. 

Born and raised in Harlem in 1979, Shemekia Copeland first stepped on stage with her famous father at New York’s Cotton Club when she was eight. Upon release of her Alligator Records debut Turn The Heat Up in 1998 when she was only 18, Copeland instantly became a blues and R&B force to be reckoned with. The New York Times and CNN, among many others, praised her talent, larger-than-life personality, dynamic, authoritative voice and true star power. With each subsequent release, Copeland’s music continued to evolve. From her debut through 2005’s The Soul Truth, Shemekia earned eight Blues Music Awards and a host of Living Blues Awards. 2000’s Wicked received the first of her five GRAMMY nominations. After two successful releases on Telarc (including 2012’s GRAMMY-nominated 33 1/3), Copeland returned to Alligator Records in 2015 with the GRAMMY-nominated, Blues Music Award-winning Outskirts Of Love, melding blues with more rootsy, Americana sounds. 

With 2018’s America’s Child, Copeland brought out the first of her celebrated trilogy of albums concerning the state of the world, sung from her perspective as a young, Black woman and new mother. MOJO magazine named America’s Child the #1 blues release of 2018. It won both the Blues Music Award and the Living Blues Award for Album Of The Year.  In addition to earning a GRAMMY Award nomination, Copeland’s groundbreaking 2020 follow-up, Uncivil War, was named the 2020 Blues Album Of The Year by DownBeat, MOJO and Living Blues magazines. “Shemekia Copeland is a powerhouse,” said Rolling Stone. “She can do no wrong.” She received her fifth GRAMMY nomination for Done Come Too Far, which closed the trilogy with a searing set of truth-to-power, rock and Hill Country blues-fueled songs. “Shemekia Copeland is an antidote to artifice,” said The Philadelphia Inquirer. “She is a commanding presence, a powerhouse vocalist delivering the truth.” 

Copeland has performed thousands of gigs at clubs, festivals and concert halls all over the world, and has appeared in films, on national television, NPR, and has been the subject of major feature stories in hundreds of magazines, newspapers and internet publications. She’s sung with Bonnie Raitt, Keith Richards, Carlos Santana, Dr. John, James Cotton and many others, and has shared a bill with The Rolling Stones. She entertained U.S. troops in Iraq and Kuwait in 2008, a trip she says, “that opened my eyes to the larger world around me and my place in it.” In 2012, she performed with B.B. King, Mick Jagger, Buddy Guy, Trombone Shorty, Gary Clark, Jr. and others at the White House for President and Mrs. Obama. She has showcased on PBS’s Austin City Limits, was featured in a six-minute story on the PBS News Hour and was the subject of a major Washington Post Sunday magazine piece. In April 2022, she performed at the United Nations General Assembly Hall to a worldwide audience of millions as part of International Jazz Day celebrations. In 2023, Copeland guested on the GRAMMY Award-winning compilation album, Basie Swings The Blues, on the Candid label. She continues to receive regular radio airplay on stations all over the globe. Additionally, Copeland hosts her own popular daily blues radio show on SiriusXM’s Bluesville. 

Forbes declared, “Shemekia is fearless, honest and hopeful...she holds back nothing as she delivers hard-hitting musical truths.” The late John Prine paid her a huge compliment when he said, “She simply doesn’t sound like anybody else.” And none other than Copeland’s friend, the legendary Mavis Staples, announced, “I am so happy Shemekia is delivering these songs that the world needs to hear. Her voice is strong and soulful, and her message comes from her heart.”

With Blame It On Eve, Copeland embarks on what she calls “a vacation from all the heaviness.” Blame It On Eve contains plenty of Copeland’s trademark bold and courageous songs, but here Copeland is also looking to unplug from the weight of world. “My last three records have dealt with breaking news,” she says. “This record is for people like me who want a break from the news.”