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Vincent Neil Emerson
March 12thDetroit Lightning - 70s Night
March 14thSir Woman
March 15thLúnasa
March 17thYot Club & Vundabar - SOLD OUT
March 18thJoy Oladokun
March 19thRobert Earl Keen - SOLD OUT
March 21stThe Handsome Family
March 21stOld Crow Medicine Show -SOLD OUT
March 25thThe Faint
March 25thGhost-Note
March 28thSonido Gallo Negro
April 2ndTrue Loves
April 5thMAGIC SWORD
April 9thYesness
April 9thOrquesta Akokán
April 10thDetroit Lightning - 80s Night
April 12thLady Lamb
April 12thThe Cactus Blossoms
April 14thNeon Trees - SOLD OUT
April 14thThe Cactus Blossoms
April 15thGraham Nash- - SOLD OUT
April 15thThe Moss
April 19thNick Shoulders
April 20thEtran de L'Aïr
April 22ndBlack Mountain
April 22ndBad Nerves
April 25thLa Luz
April 29thParker Millsap and His band
May 1stSierra Ferrell
May 1stRobyn Hitchcock (Solo)
May 2ndBuzzcocks
May 3rdRobyn Hitchcock (Solo)
May 4thJoywave: Here To Perform
May 6thLukas Nelson
May 7thSteel Pulse
May 8thAn Evening with The Jayhawks
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May 9thAn Evening with The Jayhawks
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May 30thTrampled by Turtles
May 31stA Conversation with Amy Sedaris
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June 2ndDrive-By Truckers & Deer Tick
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June 22ndCharley Crockett
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August 24thScott Bradlee's Postmodern Jukebox
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September 15thI'm With Her
September 29thThe Head and The Heart: Aperture Tour
October 2ndMurder By Death
November 2ndOsees - SOLD OUT
November 4thThe Brian Jonestown Massacre
November 8thLucius
November 12thLady Lamb
at
Meow Wolf
Add to Cal
TICKETS: $25-30
Member pre-sale: Thursday, October 17, 10 am
Public sale: Friday, October 18, 10 am
FOR ONLINE CUSTOMER TICKETING sales and support contact support@holdmyticket.com or call 1-877-466-3404.
IN-PERSON WALK-UP SALES ONLY for all shows are available at the Lensic Box Office during Box Office hours.
VENUE INFO: Meow Wolf
Alcohol: Yes
Seating: Standing
Outside Food/Drink: No
Parking: Yes
ADA: Yes, please speak to a Meow Wolf team member
PROHIBITED ITEMS: Recommend to leave the following items in your car or secure them in a locker. Please review our Prohibited Items list for further questions.
-Backpacks & oversized bags
-Laptops or Tablets
-Oversized coats
-Umbrellas
-Luggage
-Strollers
-Skateboards
-Professional recording equipment
Lady Lamb celbrates 10 years of Ripley Pine with an intimate performance of songs from the record and the recently-released commemorative boxset 'In The Mammoth Nothing of The Night'
LADY LAMB
From her early days, staying late after-hours at her video rental store job in Maine to record songs, to co-producing and arranging her four studio records, Aly Spaltro has remained focused on music that connects, empowers and builds community. She built her fanship the old-fashioned way, getting in front of audiences and projecting her poetic confessionals, silencing rowdy crowds with an a cappella opening song in the center of a dark stage. Spaltro was quick to develop a reputation as a breakout star in New England, and then expanded slowly outwards, moving to New York at twenty to continue work on the songs that would become Ripely Pine. Her voice has never wavered, has grown more honest and open with time, and anyone witnessing the long lines of fans seeking signatures after her performances can see how her work has impacted fans. Her live shows are revelations, a further deep dive into what makes Ripely Pine such a mainstay.
Spaltro is celebrating ten years of Ripely Pine with the release of a 5xLP Box Set, IN THE MAMMOTH NOTHING OF THE NIGHT out August 18 on Ba Da Bing Records. With the original songs remastered, as well as reams of additional material produced and arranged by Spaltro and mixed by original co- producer Nadim Issa, IN THE MAMMOTH NOTHING OF THE NIGHT captures the time, mood, art and ambition of Aly Spaltro in her early twenties, who had already accumulated years of playing and self-recording experience before laying down tracks for this giant of a debut.
“I wrote some of these songs when I was 18, learning how to play the instruments and record with my digital 8-track along the way,” Spaltro says, reflecting on the time. She talks about IN THE MAMMOTH NOTHING OF THE NIGHT with a sense of a mission. “These tracks have haunted me, because they haven’t had a home for all these years. I found all these alternate track listings in my notebooks. Any of them could have ended up on the record,” Spaltro says. “This box set is a way to honor that whole time, the beginning of the path of my life. Releasing this project feels like just that; I’m able to look back on where I’ve come from, and then gently close that door behind me and keep moving, keep growing.