TICKETS: $27.50–$33.50

Member pre-sale: Wednesday, November 20, 10 am
Public sale: Friday, November 22, 10 am
Want pre-sale access? Become a Lensic member! Learn more here.

FOR ONLINE CUSTOMER TICKETING sales and support contact support@holdmyticket.com or call 1-877-466-3404.  

IN-PERSON WALK-UP SALES ONLY for all shows are available at the Lensic Box Office during Box Office hours. 

VENUE INFO: Meow Wolf

Alcohol: Yes

Seating: Standing

Outside Food/Drink: No

Parking: Yes

ADA: Yes, please speak to a Meow Wolf team member

PROHIBITED ITEMS: We recommend you leave the following items in your car or secure them in a locker. Please review our Prohibited Items list for further questions. 

-Backpacks & oversized bags
-Laptops or Tablets

-Oversized coats

-Umbrellas

-Luggage

-Strollers

-Skateboards

-Professional recording equipment

THE MOSS

In a musical landscape with fewer boundaries than ever before, THE MOSS’s exuberant brand of alternative rock spans genres, eras, and even oceans.

The Utah-via-Hawaii group was born on the shores of Oahu in 2015, as teenage buddies Tyke James (vocals/guitar) and Addison Sharp (guitar) picked up a gig serenading diners at local taco trucks in between surf sessions. Naturally, their songs took shape in the spirit of the island, imbued with the joyfulness and breeziness of reggae culture yet cut with the introspection and communal spirit of mainland indie acts like Pinegrove and Cage the Elephant.

 By 2018, the duo had grown, enlisting Willie Fowler on drums and Addison’s brother Brierton on bass and traded in beaches for the Great Salt Lake. They hit the stage at spots like local cornerstone Kilby Court, live-testing their modern-indie-meets-’60s-blues with a wide-eyed exuberance that translated effortlessly into their 2019 self-released debut, Bryology.

 Colored by the sound of Stratocasters jamming through reverb-cranked Fender amps, all backed by bouncy rhythms, Bryology marked a big step for the still-young quartet–but, true to The Moss’s nature, was still hard-coded with a DIY ethos. “We basically had no budget,” James remembers fondly. “We bought some nice mics and an interface, and I ended up learning how to mix while we were recording.”